Bespoke Framing

Edward Taylor GCF, Managing Director

We believe it is essential that our customers have the best possible advice and information so that they have a clear set of options from which to make a decision. We can also offer advice on colours and textures to enhance the image and co-ordinate with where it will hang. We want our customers to feel confident in us and to enjoy coming to our shop. The majority of items brought in for framing are artworks in various mediums on paper, board or canvas. However, we have experience in framing a multitude of objects of every size and shape including medals, clothing (shirts, caps, bodices, shoes, etc.), needle work, porcelain, coins, stamps, papyrus, leather, spoons and many other 3D items. Over time we have developed procedures for framing these items. Occasionally we get something new and enjoy the challenge of planning the best solution. Our ultimate aim is to have happy and satisfied customers.

Framing Techniques

Framing techniques are diverse and tailored to the individuality of each artwork. While many standard methods exist, not all can be listed exhaustively. Often, we must adapt existing techniques to better suit the specific needs and characteristics of the artwork being framed. This flexibility ensures that each piece is displayed to its best advantage, taking into account factors like material, size, and any unique features. Whether it's a delicate textile, a double-sided print, or a vintage card, our approach is customized to preserve and enhance the artwork’s visual and structural integrity. Here are some examples:

Close Frame
Single Mount
Double mount

Wooden Spacer
Surface Mount
Wooden Spacer with Surface Mount

Shirt Framing
Canvas
Fine Textiles
Glass Back and Front

Close Frame

A close frame picture is a straightforward framing method where the picture is mounted directly against the glass without any gap. While this approach is simple and cost-effective, it is generally not recommended because the lack of space between the glass and the picture can cause the paper to adhere to the glass over time. This can result in damage to the artwork or photograph, such as moisture build-up, mould, or difficulty in removing the picture without tearing. To preserve the integrity of the framed piece, it is better to use a spacer or mountcard to create a protective gap.

These are graphical representations are not to scale and are for illustration purposes only.

Close frame

Single mount

Single Mount Frame

A single mount frame method involves using a mount to create a space between the glass and the image, preventing direct contact and thereby reducing the risk of damage over time. This technique is particularly suitable for paper products, with the standard mount thickness being 1.4mm. Typically, the mount overlaps the image by at least 2mm to ensure a clean edge and accommodate any expansion or contraction of the paper due to atmospheric conditions. Special attention is given to spacing when mounting originals or signed prints to preserve their integrity and value.

These are graphical representations are not to scale and are for illustration purposes only.

double mount

Double Mount Frame

A double mount frame method builds on the single mount technique by adding a secondary mount beneath the primary one. This secondary mount typically overlaps by 5mm, providing additional depth and visual interest. While the standard depth of a mount is 1.4mm, the secondary mount in a double mount setup can have a depth between 2-3mm, resulting in an overlap of about 7mm. This method not only enhances the aesthetic appeal but also ensures better protection for paper products by maintaining a greater distance between the glass and the image, thereby preventing damage from contact and atmospheric changes. Special considerations are made when mounting originals or signed prints to ensure their preservation. We also have extra thick mount, they are 3.5mm and are usually used as an under mount and the overlap is 7mm. The extra think mounts are often used with special edition prints.

These are graphical representations are not to scale and are for illustration purposes only.

Wooden Spacer

Using a wooden spacer inside the rebate of a frame is an elegant method to add depth and protect the artwork from direct contact with the glass. The spacer, although partially visible, can be painted or stained to match the frame or complement the colors in the artwork, enhancing the overall presentation. This approach is an excellent alternative for customers who prefer not to use a mount but still want to safeguard their image from potential damage. Wooden spacers are particularly preferred for framing 3D objects, as they provide the necessary space and stability. The effect is even more striking when combined with water white glass, which offers superior clarity and minimal colour distortion.

These are graphical representations are not to scale and are for illustration purposes only.

wooden spacer

surface mount

Surface Mount

The surface mount method allows the edge of the paper to be visible within the frame while keeping it away from the glass to prevent any damage over time. To create the necessary space for the surface mount, a single or double mount can be used, making this method ideal for displaying the edges of the paper. The image is secured to the sub-mount using water-reversible archival paper, ensuring both protection and the possibility of easy removal if necessary.

These are graphical representations are not to scale and are for illustration purposes only.

Wooden Spacer - Surface Mounted

Combining the wooden spacer method with the surface mount method offers an a solution for customers who prefer not to use a traditional mount and appreciate the extra depth provided by the spacer. This combination works well particularly for 3D objects.

These are graphical representations are not to scale and are for illustration purposes only.

wooden spacer with surface mount

shirt frame

Shirt Frame - Box vs Spacer

Framing shirts involves a meticulous process to ensure a visually appealing and preserved display. Firstly, the shirt is stretched and sewn onto a mountboard. We then create a box using 10mm foam core board, and an insert for this box is crafted from mountboard. The shirt is then attached to this constructed box. To enhance the visual appeal, a shadow mount is placed between the glass and the boxes, creating depth and dimension. The completed box is secured within the frame using silicone sealant. We typically select the mount colour based on the shirt's colour, with black frame and black mount being the most popular choice. Additionally, we offer bare-faced wooden frames that can be stained or painted in any colour, providing a wide range of framing options. (image 1)

Another option instead of using a box, is to use a spacer (fillet) to create the necessary depth. A shadow mount is not needed for this method. The shirt remains securely stretched and sewn onto the mount. To complete the frame, we use an MDF backing. (image 2)

shirt frame

Shirt with spacer Frame

shirt frame

1/2

These are graphical representations are not to scale and are for illustration purposes only.

Canvas

Canvas is typically stretched over stretcher bars, which are designed to slope inward to prevent any impressions on the canvas. For larger canvases, we secure cross bars to ensure the wood does not bow. After stretching, we tape the bars and attach a D-ring and string for hanging. The canvas can then be either framed or hung directly on the wall. It can also be displayed in an L-shaped frame, known as a canvas tray, which leaves the sides visible while exposing the entire image and edges. While we can stretch canvas over hardboard when necessary, stretcher bars are generally recommended. Canvas boards do not require stretching and they will be treated as a closed frame without the glass. Glass is not normally used, as the artist should varnish the canvas.

canvas stretching

Canvas on Stretcher bars Frame_edited_edited

canvas board

canvas stretching

1/4

These are graphical representations are not to scale and are for illustration purposes only.

canvas

Hand Stitched Fine Textiles

The hand-stitching textile method was developed for a customer who wanted to frame a large rug and has since become one of our most labor-intensive techniques. It begins with washing, ironing, and stretching a cotton canvas over canvas bars. Using a very fine fishing line thread, we carefully stitch the textile onto the canvas, utilizing existing hem stitching when possible. Once the textile is secured, it can be fitted into a frame with wooden spacers to separate the glass from the textile. Alternatively, the canvas can be removed from the bars and attached to a sheet of marine plywood covered with acid-free paper, ensuring the textile is protected from the plywood. This method ensures that only the acid-neutral canvas touches the textile and maintains an even stretch, allowing for restretching if needed. The largest textile we've framed using this method was a beautiful batik measuring over 2.7 meters by 1.5 meters.

These are graphical representations are not to scale and are for illustration purposes only.

hand stitched textile

Papyrus Glass Back & Front

The framing method used for papyrus, a heavier and stiffer material prone to cockling, involves placing it directly under glass, which helps maintain its flatness. This technique is often employed in the country of origin for displaying papyrus. Decorative beading is added to the back of the frame to enhance its appearance, especially for pieces that will be frequently viewed. However, this method is not recommended for regular paper products due to the potential negative interactions with the glass.

These are graphical representations are not to scale and are for illustration purposes only.

papyrus glass back and front

Paper Image with Glass Back & Front

With Beading Frame

Framing with a glass backing instead of an MDF board is an ideal method for displaying artwork that has content on both sides, allowing the reverse side to remain visible. The artwork is sandwiched between two mounts and two panes of glass, with the mounts preventing direct contact with the glass to protect the image from potential damage. This method is particularly popular for framing items like cigarette cards, which commonly feature designs on both sides. The frame is finished with wood beading on the back, enhancing its aesthetic appeal. This technique ensures that both sides of the artwork are visible and well-protected.